Published: Wednesday, 25th October 2017 10:20 AM
The Quilters' Guild Collection has benefitedfrom 12 new donations to the collection during 2017. You can read more about a selection of them below.
Frame Quilt with Cornucopia Print
Centre
1800-1830
Maker unknown
217cm x 248cm
This large hand-quilted frame
quilt has two interesting features. The central octagonal printed panel,
showing a cornucopia on a red background, is a block printed panel that was
specifically made for inclusion in patchwork and other domestic projects. They
could be bought as single panels or in rows off the bolt at the haberdashers,
and were particularly popular in the first decades of the nineteenth century.
It also has a row of applied shallow clamshells with squares set in the
corners. Applique doesn’t often feature in frame designs, and this particular
clamshell design is also unusual. Although we do not know who made this piece,
it is thought to have originated in East Cornwall. This piece was exhibited at
Torre Abbey, Torquay in an exhibition entitled ‘Thread: Celebrating Creativity
in Historic and Contemporary Quilts’, 25 March �“ 4 June 2017.
Honesty Skyline
2015
Pauline Burbidge
133cm x 164cm
Honesty
skyline is one of Pauline Burbidge’s latest pieces, made using cyanotype and
mono printing techniques incorporating the plants and flowers that surround the
artist’s home in the Scottish borders. Known as a Quiltscape, it is one of a
series of textile landscapes whose imagery is inspired by the changing natural
landscape. This particular piece uses the translucent circular seed pods of the
plant Honesty (Lunaria Annua) to print onto cotton lawn and silk
organza. Red hot poker leaves were used to create fabric rubbings on cotton
organdie, with more designs drawn underneath using a fabric marker Markel stick.
The layers of the fabric collage have all been hand-stitched and hand-quilted. The
Quilters’ Guild is thrilled to finally have a large studio piece by one of
Britain’s leading contemporary quilt artists. We were able to purchase this
with a special donation made by the Chatsworth Charitable Trust in memory of
Elieen Lewis of Sheffield.
All the
World’s A Stage
1993
Linda Straw
216cm x 200cm
This pictoral piece on a theatrical Shakespearean theme was made by Linda
Straw, and is typically iconic of style, which often combines narrative works
based on historical subjects with her expertise in applique, quilting and
embroidery. A small piece depicting Chaucer’s wedding in St. Mary de Castro
church in Leicester already features in our Nineties Collection. Linda’s other
works include Folk Tales Quilt in the
Collection of the Art Institute of Chicago, and Pride and Prejudice which has been donated to the Jane Austen
Centre in Bath. This piece was purchased with money donated by Bernina, who
kindly donate £1000 per year to our collections fund specifically for the
purchase of contemporary works.
Thirties Hexagon Piece
1930s
Grandmother of the donor
69cm x 60cm
This small unfinished hexagonal shaped piece is made from mosaic
patchwork hexagons that have been made from dress and blouse fabrics. The paper
pieces are still intact, but well hidden from view by the generous seam
allowance of each hexagon piece. Patchwork from this period is not that common
as it was not hugely fashionable, but small quilted projects were often
provided in domestic magazines of the time. It is uncertain what this piece of
patchwork was intended to create if it was finished, but it could have been a cushion
or a larger piece such as a bed cover.
Cornish Quilt, c.1830s
Honesty Skyline 133 x 164 cm, by Pauline Burbidge, Photo, Phil Dickson, PSD Photography 2015
All the World's a Stage by Linda Straw, 1993
Thirties Hexagon piece, 1930s
The Quilters' Guild Collection is held by The Quilters’ Guild of the British Isles.
Registered charity no 1067361 Company limited by guarantee registration no 34476331 Charity in Scotland no. SC043174.
© 2024 Quilt Museum and Gallery, York | Printed from: quiltmuseum.org.uk/blog/quilt-history-articles/01457.html